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| 11/22/2003: |
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| Artist: Andy
Warhol (1928-87), born to east European immigrant parents in Pittsburgh,
who appointed himself the visual historian of an America he always saw
through a stranger's amazed eyes. Typically, he claimed to have been
unaffected by one of the most traumatic events in postwar American history.
"I heard the news over the radio while I was painting in my studio,"
he remembered of the day John F Kennedy died. "I don't think I
missed a stroke." Friends phoned, stunned. Warhol persuaded a bunch
of people to have dinner at a bar on 86th Street but couldn't cheer
them up. "It seemed like no matter how hard you tried, you couldn't
get away from the thing."
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| Subject: Jackie Kennedy
(1929-94), born Jacqueline Lee Bouvier, later Jackie Onassis. She worked
as a photographer before marrying ambitious Democratic politician JFK
in 1953. She became the nation's most celebrated First Lady when Kennedy
was elected US president in 1961. On November 22,1963 she was with Kennedy
in an open car crossing Dealey Plaza in Dallas when the shots were fired
that changed America's sense of itself, breeding paranoia and countless
conspiracy theories. |
Distinguishing features:
Jackie stands in stillness and dignity in front of a uniformed guard,
both of them at attention as the body of the president is laid to rest
before news photographers and television cameras. Never did Warhol take
on the media image more directly. |
Kennedy's death was a defining
moment in the birth of instant TV news, instant reaction, mass emotion;
Warhol expressed scepticism about the media's insistence that everyone
feel a certain way, as if grief were compulsory, the same for everyone.
"It didn't bother me that much that he was dead," he recalled.
"What bothered me was the way the television and radio were programming
everybody to feel sad." Read by itself this is brutal; read alongside
Warhol's Jackie paintings it's an insistence on the value of one's own
emotional life. |
| Warhol's portraits
of Jackie could not be more full-throated in their sorrow because they
are so obviously felt, a silent agony. Like all his paintings, they
adopt the standpoint of someone flicking through magazines in a diner.
Warhol has looked at the photographs of Kennedy's funeral and chanced
on this one. It will not let him go. He looks at it again and again,
and so must we - 20 times. This is the image among thousands that makes
the tragedy real for him. |
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| Selected
Comments: |
| Poor
Jackie...having to stand in that urine
scented Insta-Photo Booth with that guard for TWENTY grueling flash photographs. - 7T'sSoFla Warhol...War Whole...Whore Wall...War Hall...hole raw... Just keep in mind that Warhol also made prints of soup
cans. makes me wanna eat soup oh. i get it. stupid kinkos! |
| ART!!! |
| (25 Votes- 100% Art, 0% Porn) |
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